Alessia Cara is the Fresh Face for Female Pop Stardom

Alessia Cara performs at Gillette Stadium in Foxboro, MA on July 30th, 2016 (Benjamin Esakof/Roman's Rap-Up). 

Alessia Cara came out on the Gillette Stadium stage like stadium performances were second nature. The up-and-comer is not still up-and-coming; she has already arrived. Take note. The young female artist opened Coldplay’s "A Head Full of Dreams" Tour stop in Massachusetts Saturday night, and she left little room for disappointment. She is only twenty years old and a recent recipient of the industry’s hot spotlight, yet the singer held a sense of professional maturity that surprised me as one of thousands in the concert’s sold-out attendance. Cara adorned a casual, all-black ensemble and piled her dark hair on top of her head in a Sunday-morning-fashioned messy bun. Her face was bare – very little to any blush, liners, or shadows coated it. This alone is notable. So many celebrities and artists perform and present themselves as fashion divas with model beauty that are actually only the production of hours behind a makeup chair. Instead, Cara sang naked of girly standards and sequined tops. That approach only left one thing for her audience to judge: her raw talent.

Alessia Cara performs at Gillette Stadium in Foxboro, MA on July 30th, 2016 (Benjamin Esakof/Roman's Rap-Up). 

Cara has one of those voices that make heads turn in a crowded room. Her debut album Know-It-All includes a deluxe edition that features thirteen tracks that simply demonstrate why she needs to be valued in the music industry. Her hollow, old-timey tone carries a mixture of Sara Bareilles and Norah Jones; however, her lyrics also have angst and emotion of a barely twentysomething trying to conquer the road of life, love, and happiness while breaking into stardom. Her performance included eight songs off the album beginning with “I’m Yours,” a sassy yet sentimental love song to a boy who breaks down Cara’s tough walls and wins her heart. That’s the important aspect of Cara’s career anchor though her deep vocal range is fit for a speakeasy: she carries punch in her lyrics that hurts upon impact even as a younger performer. 

Throughout the set, Cara stopped to introduce songs with that same self-empowerment message throughout translated into different areas of life. “Wild Things,” her performance after “I’m Yours,” embraced all the parts of yourself, while “Four Pink Walls” and “Outlaws” broke out of a comfort zone to embrace a scary, exciting future. However, “Four Pink Walls” is regarding Cara’s career in the spotlight and “Outlaws” is about the serious risks we take for love. All of her moral messages circle back to taking a plunge into the unknown with the confidence of knowing yourself and your worth. This is no more apparent than her closing and most popular song, “Here,” that played on the radio for months. It’s a personal story of Cara’s; how unimpressed she was at a party a few years back; how people tend to put on a front like they’re having a lot more fun than they actually are. She slams high school and college party life by dissecting the different scenarios from that night that are so standard in most party environments. It is important that this was her first breakout hit because it is so different from the other pop songs whose lyrics blend together in similar meaning. “Here” highlights who Cara is, and she sang it Saturday on par with its radio version. I cannot tell you how impressive it is to see this single woman onstage at a place as enormous at Gillette Stadium with a casual yet determined composure about her, a no-fucks-given style from head-to-toe, with only her pure music to present for critique. She’s refreshing; she’s real; she should not be taken lightly.

Check out photos from her knock-out performance below:

Album Review: Drake is Searching for Revenge All 'Summer Sixteen' with New Album "Views"

(Young Money/Republic Records)

Drake has released his new album, shortened from Views from the 6 to simply Views, late last night. This album has been highly anticipated not only because Drake is a well-known, well-liked rapper in the hip-hop realm, but also because his single “Summer Sixteen” included lyrics hyping up the value of his new music. He raps, “All summer sixteen, playin’ dirty not clean… Lookin’ for revenge all summer sixteen.” Though this album certainly brings the sexual coolness that makes Drake able to play with pop queens such as Rihanna in her song “Work,” Views also creates an introspective view on his undoubted success derived from a humble upbringing as a Toronto native.

In addition to Drake’s twenty-track album, he also includes huge stars as features on multiple tracks. Future, Rihanna, and PARTYNEXTDOOR are all artists that add to his album without overshadowing the unique-sounding rapper. In general, the album directly parallels Drake’s sound that has made him famous: it’s light and smooth while still maintaining quick and witty rap lyrics that rise to the surface of every track. Songs like “Weston Road Flows” describes a humble beginning for the rap star that verifies his relentless ego that pervades his music now. Though the hip-hop genre is filled with proud ego, Drake argues through this song that the hard work put in along the way is the reason it should be rewarded. Furthermore, “Grammys” featuring Future includes like such as “I pull up in yachts so big that they try to hit me with boat fines OVO a gold mine… but I'm going to go no time… hall of fame, hall of fame.” This is the cocky contrast to the explanation in “Weston Road Flows,” describing the beginning versus the current luxurious lifestyle. 

Drake also includes songs on the album like “Childs Play” that is an extremely witty insult song to a girl that lightens the mood of Views. The following lyrics are in only one verse of the song that accurately describes the brilliant yet cold attitude Drake ensues to the female subject of the song. “Why you gotta fight with me at Cheesecake? You know I love to go there, say I'm actin' light skinned, I can't take you nowhere. This a place for families that drive Camrys and go to Disney. They don't need to know all of our business. You wildin', you super childish; you go to CVS for Kotex in my Bugatti. I took the key and tried to hide it, so you can't drive it, and put on mileage, then you find it, awkward silence.” He compares the relationship and her actions to child’s play; it’s the best way to describe immaturity between two people in reflection of a relationship. 

In total, Views is the epitome of Drake’s artistic identity to present day. The extensive twenty-song track list includes icy sensuality, witty attitude, and insight into his journey towards the current pinnacle of his career. Though Drake’s tendency towards lighter, smoother rap pervades the tracks, his also includes tracks with features such as Future to highlight harder, louder rap to even out the album’s tone. Fans should be satisfied, even after “Summer Sixteen” and its hype, at Views’s well-rounded sound. 

EXCLUSIVE: St. Louis Rapper J.R. Talks Originality, Working with Trey Songz & More

If anyone is beginning to feel nostalgic for time when artists put all of themselves into their music instead of songs written for them by other people, if anyone is tired of the same chords played on different tracks because originality is the a thing of the past, if anyone feels a wall going up in the industry between what is out there and what is real, J.R. is your new artist to watch. The St. Louis native bleeds dedication to his true identity as a musician. RRU interviewer Gibson sat down with J.R. in Los Angeles before J.R. headed out to continue his Gang Season EP tour in South Carolina. 

“I have always kept music a part of my life… ever since my mother kept me in school programs. It’s something I have a passion for,” J.R. said, “This is a pivotal point in my career to make sure my fans know me and understand me. I don’t want to get stuck in the lane where it looks like I need a feature.”

However, J.R. is nothing but grateful and respectful to those who’ve stuck out helping hands for him in the industry as he’s continued to rise. Big names such as Nelly, a St. Louis native himself, and Trey Songz are two rappers who have cultivated rich, professional relationships with J.R. 

“Trey was listening to [my] music and inquired… I met him in Detroit and began to build a friendship and music chemistry. He listened to my first single ‘I’m Just Sayin;’’ I sent it directly to him, and he sent it right back. That’s when I knew (laughs). Next day, it was on the radio in my home city.” J.R. asserts his thankfulness and understanding of the influences that have helped shape his career, something that is rare in an egocentric industry. Beside the recent Trey Songz, Nelly and The St. Lunatics are two other artists who’ve inspired him because they influenced his direction, as he grew up seeing what they got to do. His dream collaboration would be Outkast.  

In addition to recognition of his influences, J.R. also notes the importance of his production team. “If you find someone you can really work with for a long, long hours, appreciate them and keep them close to you because it’s really hard to find,” he said. His close circle is also from his home city of St. Louis. This is another major source of passion for J.R. 

“It’s a tough city. In St. Louis, you have to develop a thick skin. Entertainment comes with a million critics. I get the hate comments all day. That’s fine. If you sit there thinking, ‘How can I make this sound negative? That’s really gonna hurt his feelings.’ I don’t care. Imma make good music; make sure my kids are alright. I’m always going to be genuine.”

His tough skin and real personality are derivations from his St. Louis upbringing, as the city continues to mold the musical man from his city childhood. In regards to his music, the genuineness is carried into the studio, as well. “[My music] is very emotional,” he said, “It evokes emotion out of people. I put a lot of me into my records.” In regards to the lyrical content regarding tough situations, J.R. has experienced in his life, he said, “I put a lot of ‘me’ into my records. It’s not struggle music – [I] let you know what we’ve been through, what the struggle was, and where we are now. I want to be able to touch my fans in that way.” 

God blessed me and put me in certain situations. If it all ended tomorrow, I’d be happy.
— J.R.

Since his Gang Season EP was released in late February, J.R. has been on his own tour promoting the EP. He commented on the good reception and love people have been showing him while on tour. However, the tour has not faulted his ability to share new music with his fans. “Party Bussin,’” the rapper’s “celebratory anthem,” was just released. It is a feel-good track that fans can place on their pregame and going out playlists. However, hip-hop is not the only genre that J.R. would consider working within. “I’m open to any kind of music. I don’t want to dress like a country singer and make trap music, but when Nelly sat down and made a record with Tim McGraw (referencing “Over and Over”), that’s blurring lines,” J.R. admirably said in regards to blending genres. He has a strong admiration for artists across all genres of music, which is a unique trait for an artist focused in one genre. 

In regards to the continuation of his career, J.R. goal is concerned with longevity. “I want to be around forever,” he said, “You can die physically, but Tupac’s not going anywhere. Biggie’s not going anywhere.” A strong statement from the up-and-comer who has high expectations for his music derived from a hard, instinctive work ethic. With Summer Jam right around the corner, J.R. continues be grow while continuing to give thanks to those who push him everyday. 

“God blessed me and put me in certain situations. If it all ended tomorrow, I’d be happy.”

Catch the full interview with J.R. above.

Album Review: Beyonce Serves Up Ice Cold Glass of "Lemonade"

(Parkwood Entertainment)

Beyoncé’s new album dropped Saturday. Titled Lemonade, her new album came with a twist: a video that incorporates the songs from her album in a lengthy, short film-like context. Not only does Beyoncé use the music video mix of her new album to create a backdrop for an artistic rendition of Lemonade; she also incorporates talking parts and monologues throughout the video that describe the artistic content to come in the following scenes. The backgrounds and sets are intense, filled with cultural representations of her heritage and family, scary and grungy garage and red-lit hallways, childhood and interview videos, and nature shots. 

Each mini music video within the larger context of the whole-album video accurately reflects the vibe of the song. Queen B’s hot topics of this album encircle three major themes: husband infidelity, black female oppression (historically and currently), and her heritage. Many scenes reflect the Southern upbringing that Beyoncé had. However, her reflections on love in the album are not positive; Beyoncé spends a lot of lyrics insulting and describing the pain that a man caused her by cheating. One can assume this might be a personal, artistic outlet to marital problems with Jay-Z, or it could be a general reflection of what she has witnessed around her. 

Beyoncé also includes numerous shots of other black women, with different culturally typical hairstyles and outfits that reflect current and historical tradition. Beyoncé seems to heavily delve into reflection of her own family lineage and history of her people while connecting it to her current struggles growing through love and art. In one striking scene, the camera pans from different mothers who hold photos of their deceased sons, assumingly from gang violence or police brutality, two problematic issues the African American community faces. In Lemonade, Beyoncé grounds herself deeper and more reflectively than we have ever seen her. While BEYONCÉ was centered solely on love, sex, and female portrayal, this album and its accompanying video gives fans a much better look into who Queen B is as a person outside of the glitter and off the stadium stages.  

However, though the album delves into a lot of intense issues associated with Queen B’s exploration of her heritage and herself, the album and its video end with a positive light. She states in a monologue, “We will heal.” She is hopefully correct; the African American suppression in America has been persistent for years, turning from blatant forms such as slavery to subtle forms such as structural inequality. In addition, she adds a positive not about relationships after discussing infidelity throughout her album. Whether Queen B is explicitly talking about Jay-Z cheating, a probable assumption, she states, “Our love was stronger than your pride.” This song is accompanied with videos including Jay-Z and B being happy together. The viewer/listener assumes that B forgave the cheating due to the broader picture of their strong love and future as a happy couple who can forge past a mistake. It is to be seen if she is talking about her family with Jay-Z and Blue Ivy, but all the video included of her happy family insinuates such. Beyoncé ends Lemonade on a positive note in comparison to its beginning, ending the credits with her previously released music video of “Formation.” Queen B, yet again, you slay. This time, you slay on a level deeper than discussing curves and boys; delving into the messy historical content of being an African American woman in America in a long term relationship in the public eye deserves praise.

Stream Lemonade over at Tidal.

Drake & Future Announce Joint "Summer Sixteen" Tour

(Live Nation)

Lookin' for revenge... all Summer Sixteen... Drizzy wasn't kidding.

This Friday, the day his highly anticipated album Views from the 6 is set to be released, Drake and Future's "Summer Sixteen Tour" is set to release its tickets for sale. The tour includes the OVO Fest in the Toronto native's home city July 31st set to also include huge names such as Wiz Khalifa and Snoop Dogg. Roy Woods and DVSN are also on board for the tour. The two rappers worked on What A Time to Be Alive, their mixtape that dropped last fall, so there is no surprise that they will continue their powerhouse duo in the tour realm after both will have recently released new albums. One thing is certain: all Summer Sixteen... they'll be playin' dirty not clean.

Tickets go onsale this Friday over at Ticketmaster. See full tour dates below:

July 20 – Austin, TX – Frank Erwin Center
July 21 – Dallas, TX – American Airlines Center
July 23 – Kansas City, MO – Sprint Center
July 24 – St. Paul, MN – Xcel Energy Center
July 26 – Chicago, IL – United Center
July 27 – Chicago, IL – United Center
July 31 – Toronto, ON – Air Canada Centre
Aug. 1 – Toronto, ON – Air Canada Centre
Aug. 4 – New York, NY – Madison Square Garden
Aug. 5 – New York, NY – Madison Square Garden
Aug. 10 – Boston, MA – TD Garden
Aug. 12 – Buffalo, NY – First Niagara Center
Aug. 13 – Columbus, OH – Nationwide Arena
Aug. 14 – Nashville, TN – Bridgestone Arena
Aug. 16 – Detroit, MI – Joe Louis Arena
Aug. 17 – Pittsburgh – CONSOL Energy Center
Aug. 19 – Washington DC – Verizon Center
Aug. 21 – Philadelphia, PA – Wells Fargo Center
Aug. 23 – Greensboro, NC – Greensboro Coliseum Complex
Aug. 25 – Atlanta, GA – Philips Arena
Aug. 27 – Tampa, FL – Amalie Arena
Aug. 30 – Miami, FL – AmericanAirlines Arena
Sept. 2 – New Orleans, LA – Smoothie King Center
Sept. 3 – Houston, TX – Toyota Center
Sept. 4 – Houston, TX – Toyota Center
Sept. 6 – Phoenix, AZ – Talking Stick Resort Arena
Sept. 7 – Los Angeles, CA – STAPLES Center
Sept. 9 – Los Angeles, CA – STAPLES Center
Sept. 11 – Las Vegas, NV – T-Mobile Arena
Sept. 13 – Oakland, CA – Oracle Arena
Sept. 16 – Tacoma, WA – Tacoma Dome
Sept. 17 – Vancouver, BC – Pepsi Live at Rogers Arena