Electric Family Releases Spring Line in "Campaign For Peace"

(Electric Family) 

(Electric Family) 

Electric Family's Spring 2017 line is not just a clothing line or a fashion statement. It's a social and political movement. With the company's mantra, "There is more power in unity than division," the Spring 2017 line fights the hate speech and actions that are hindering society. Many of the line's pieces include peace signs, the word "peace," and other phrases that promote openness to all. Much of the line focuses on black and white as the focal color palette in addition to pops of color, but the message is far less contrasting. 

Electric Family is a grassroots movement as well as a clothing line. Their hand-sewn hoodies and graphic tees include a purposeful message in addition to an edgy look that also leans towards the customer's comfort, as well. Wearing a piece of the Spring 2017 line means you're part of the Electric Family, and, in turn, part of the movement towards accepting everyone and shunning no one. 

Check out Electric Family's Spring line here.

Billboard Takes Over Long Island for Second Annual "Hot 100" Music Festival

J. Cole performs at the Billboard "Hot 100" Music Fest on August 21st, 2016 (Benjamin Esakof).

Billboard’s “Hot 100” Music Festival came to Long Island’s Nikon at Jones Beach Theater this past weekend. Saturday’s lineup included huge pop stars such as Ariana Grande and hip-hop artists such as Fetty Wap. The venue itself is worth praise; as the name insinuates, the outdoor theater sits directly on Jones Beach pointing towards the Atlantic Ocean side of Long Island’ shoreline. On the water is not an over exaggeration. The venue’s stage literally hovers over the water protected in a small bay; therefore, artists and crew can only access backstage through side entrances or a tunnel underneath the venue. After the rain showers cleared up Saturday, the comfortable temperatures and fair skies created a perfect background for the outdoor music festival. 

Fetty Wap performs at the Billboard "Hot 100" Music Fest on August 20th, 2016 (Benjamin Esakof).

Though the Billboard Music Festival included three stages in total, the two side stages were immensely smaller than the main stage that is the original Jones Beach Theater seating. Therefore, the bigger artists such as Fetty Wap, Rachel Platten, Martin Garrix, and Ariana Grande were all on the main stage. Fetty Wap came onstage with his entourage and feature artist Monty, a rapper highlighted in hits such as “679” and “My Way.” It was everything a typical hip-hop star’s performance includes: fun excitement from his hype man and crew, sing-a-longs to hits, and fun stage effects that support the badass nature of Fetty. From his mostly-shirtless set to his eye slit, Fetty is not someone to be taken lightly. He’s intense, and his hit-after-hit streak is not something to be taken lightly. 

Ariana Grande was the headliner of the evening, beginning her set around ten o’oclock. Her cute, perky yet sassy nature exudes onstage. Grande adorned a casual, army green outfit with sunglasses for the beginning of her act that reinforces her diva attitude that comes across in her lyrics. That’s partially the appeal of Grande; she began crashing the charts and gaining Billboard attention because she boldly stated that she has “one less problem without ya.” Grande has only grown, as she grew out of her teenage looks to a full-blown young woman. “Dangerous Woman” is an example of the sophisticated sensuality in her new album. Grande made sure to sing her new hits such as “Into You” in addition to old hits like “Bang Bang” and “Problem.” Like her personality, Grande’s performance was upbeat and full of activity. Dancers accompanied her, as she quickly lost the sunglasses and bounced around the stage. It was a fun and fresh way to end the first night of the beautiful, coastal festival. 

Sunday’s lineup was a mix of old stardom and new. J. Cole, a rapper known for his intricate lyrics and limited flashiness, was one of the main acts that brought a crowd. His energy is always palpable, and the rapper is a great asset to the hip-hop industry because he brings the witty, deep level to rap music that is sometimes ignored with other artists. Desiigner, a smaller rapper known for his big hit “Panda,” also performed Sunday at one of the smaller stages. He ran through the crowd and seemed to really enjoy himself, but it is still a question whether or not Desiigner can continue his fame and not become a one hit wonder. Calvin Harris was the newer talent that rose to the main stage for his headliner performance. His status has really picked up the past few years, with almost ever song he makes becoming a major radio hit.  His time onstage was a total production; from the lights to high-energy music, it was exactly what a DJ performance should be.

Check out photos from the weekend below:

Day 1

Day 2

Monty: The Hidden Gem of Remy Boyz

(Benjamin Esakof/Roman's Rap-Up)

Monty, the counterpart to Fetty Wap in the hip-hop group Remy Boyz, is an unsung talent. Though his mixtape Monty Zoo dropped last year, the same year as Fetty Wap’s Fetty Wap, Monty deserves more than the media has given him. Every mainstream music listener has heard the recognizable, hollow, wailing tone of Fetty Wap on hits such as “679,” “My Way,” and many others since 2015. However, Monty is the other voice on these tracks, mentioned by feature, that helps carry these hits through to their finish. Roman’s Rap-Up talked with the young rapper after his feature performance with Fetty Wap’ set at the Billboard “Hot 100” Music Festival at Long Island’s Nikon at Jones Beach Theater. From his excitement for the future to his constant acknowledgement for where he came from, Monty is an artist who is thankful to share the spotlight but also is ready to carve his own path solo, and the fans should listen.

(Benjamin Esakof/Roman's Rap-Up)

“Fetty and I met at a chicken store… we linked up, and we both were on the same thing,” Monty said. The origination of Remy Boyz, originally with three members and now only two, began as simple as where the two rappers come from. Both carry a very deep and honest sense of their roots and their upbringing, and therefore, their normal meeting comes as no surprise. “We’re an hour and a half from home,” he said, “[Family and friends] love the chance to watch us perform especially from where we come from. To be able to perform [with] the beautiful view out here...” It’s a dream come true to him. Remy Boyz rolled up in black cars with New Jersey plates, as they drove from home, so the Billboard Music Festival was close to playing in their backyard. As he continued to talk about his experience at the festival, there was an easy sense of happiness and fun between him, Fetty, and their gang who eagerly waited to drive the short distance home to enjoy the rest of the night. The festival experience is much different than headlining a concert; Monty said, “It’s even crazier seeing other artists and having the opportunity for them to be right down the hall.” It was a special moment for Remy Boyz, almost a celebratory performance rooted in pure enjoyment to show their friends and family what they accomplished over the past year. 

When asked about new music, Monty’s demeanor lit up. “Monty Zoo Part II is about to drop real soon. It might be next month,” he said. This album would be a follow up to his mixtape from last year, and it would include lots of features from Fetty Wap, and the two trade of featuring on each other’s tracks. Monty just released a single off of the new project called “Right Back.” He said, “It’s one of the craziest videos… it’s my favorite song right now.” When talking about what’s to come and what’s next, Monty cannot seem to hold back his optimism for the future of his career. For sharing the spotlight with Fetty Wap who’s hot in the eyes of the hip-hop realm, their relationship is all love and brotherhood. Fetty watched the interview from a few feet behind Monty, goofing around with his entourage but also standing by for support like a friend does. Monty believes his personality speaks for itself. “I’m chill, laidback, easy. I’m the coolest person you’ll ever meet,” he jokes. There’s no outright aggression or competitive edge to the group. Remy Boyz 1738, a phrase constantly repeated like a mantra on and offstage, is not just a slogan or casually-used phrase. The title stands for the finest cognac liquor in the Urban Distract where they’re from; a metaphor for the music they produce: it’s the best. It’s a constant reminder of who they are, where they come from, and what they stand for. Monty represents all the growth the pair has been through, and it’s only a matter of time until he drops a track that blows up radio stations “Trap Queen” style.

Snoop Dogg & Wiz Khalifa Take 'The High Road'

Wiz Khalifa performs on "The High Road Tour" in Mansfield, MA on August 6th, 2016 (Benjamin Esakof).

Jhene Aiko performs on "The High Road Tour" in Mansfield, MA on August 6th, 2016 (Benjamin Esakof).

Wiz Khalifa and Snoop Dogg rolled through Mansfield’s (MA) Xfinity Center for “The High Road Tour.” While the two rappers had multiple openers, they had no problem wrangling in the rowdy fans for their two-hour set. Jhene Aiko was one of the openers; the female R&B singer who promotes peace and self-love in her music, sounds just like her records. When an artist can sing live just as well as she does on track, it’s something special because all of the technological advancement in record studios can distract a listener from half-baked talent. However, Aiko is stellar; she wore a long, vibrantly multi-colored sweater, a baseball cap, and two low buns. Her careless nature and smooth R&B tone welcomed a performance of eye-closing, hip-swaying fans dedicated to her music. Aiko stated, “I don’t put on a circus act when I sing,” hinting at the technological advancements in the touring realm, as well, that can cover up the actual singing. Aiko kept it simple and beautiful. 

Snoop Dogg performs on "The High Road Tour" in Mansfield, MA on August 6th, 2016 (Benjamin Esakof).

Wiz and Snoop Dogg’s performance began just a little after 9pm, after Kevin Gates closed the opening acts with songs such as “2 Phones.” However, the two rapping megastars did not originally come onstage together. Snoop took the stage first, holding a King Kong-sized joint, with the carefree attitude that Snoop’s fans over the years have always loved. The familiar background music for Snoop’s introduction came over the speakers after “The High Road Tour” video, and the fans went nuts. Soon after, Wiz arrived onstage in light jeans and a white shirt, welcoming his own strong fan club to his opening song “Bake Sale.” The two rappers alternated songs to eventually join each other onstage later in the set. The performance included famous hits with features from the two, such as DJ Khaled’s “All I Do is Win” and Akon’s “I Wanna F*** You.” Their hit collaboration, “Young, Wild & Free,” finished out the show with rave excitement from the audience. However, the night’s main attraction was not either of the rappers; it was weed. The plant constantly growing in popularity and reformatting laws, weed was prevalent in conversation due to the business side of Wiz and Snoop’s careers, as well. Both sell weed paraphernalia and will soon sell actual strains in the handful of states where it’s legalized. Wiz promoted his Taylor Gang label in the middle of the set, a label that includes lots of weed-obsessed hip-hop stars who consistently shake the charts. The atmosphere was celebration – partying, smoking, drinking, enjoying each other’s company. Yet, Snoop made the effort earlier on in his set to sing a Biggie song and Tupac song. Amidst all the fun, this back-to-back song choice demonstrated why it’s important to still cherish Snoop, and why their tour together with new stardom and old is admirable. Snoop breathes the past of the hip-hop realm; he was a part of the Dr. Dre’s producer career; he lived through legends such as Biggie and Tupac, and he has seen the tremendous change occurring in hip-hop through all those years as an icon. Therefore, he has a respect for where the industry has come from that newer artists cannot match. Snoop should be applauded for taking time to remember those artists who so tremendously impacted hip-hop, and Snoop himself should be admired for the legend of peace, rap, and weed that he is.

Coldplay Brings Colorful "Head Full Of Dreams" Tour To Gillette Stadium

Coldplay performs at Gillette Stadium on July 30th, 2016 (Benjamin Esakof/Roman's Rap-Up).

Coldplay brought their "Head Full of Dreams" tour to Massachusetts's Gillette Stadium Saturday night. Much like their new album and peace & love morals represent, the show was full of color. The light up bracelets that Taylor Swift recently used for her 1989 tour appeared at the show, and the crowd lit up in technicolor on-beat to Coldplay's songs throughout the show. It was perfect for such a vibrant album; the band played oldies such as "Yellow" while the crowd lit up a soft yellow, and their new hit "Adventure of a Lifetime" brought a ripple of colors throughout the crowd. 

In addition to the bracelets, Coldplay brought other technological advances to the concert realm that brought energy and happiness to the crowd. Fireworks, confetti, and balloons also appeared during certain songs. Chris Martin also made sure to take moments between performances to give thanks to his bandmates as well as spread good vibes to the audience and the world. This happy, peaceful moral standing is something that is always comforting to see, as Coldplay's audience is large, so the positive use of their public platform is an honorable industry move. While Coldplay also made sure to play other new hits such as "Hymn for the Weekend," noted for featuring Beyoncé, they also appealed to the crowd with "Viva la Vida" and "Clocks." Their instrumental skills in coordination with Martin's erratic energy and vocal chords make Coldplay a band that continues to grow and isn't close to fading away. 

Coldplay is a band that uses new developments such as the bracelets to their advantage, but not so much that it overshadowed their strong sound or covered up a weak sound. There's a fear that concerts nowadays stray too far away from the basic vocals and instrumentals. However, Coldplay's "Head Full of Dreams" tour is a good example of how these developments can help make singing songs into full, interactive performances that only enhance an artist's sound instead of distract from it.